Life update

Life has a way of turning upside down and shaking all about. In my last, long ago post, I mentioned plans to travel to Victoria – back in October, 2023. And now it’s May, 2025, and very nearly June.

Sadly, on the day I returned from the Victorian trip, my older sister was admitted to hospital. She was diagnosed with lung cancer, and it turned out to be already widely spread and aggressive. It was a very difficult time for us all, and she died on December 1st. Sorting out her affairs proved complex and took much of my time for a few months.

More happily, I submitted and had accepted a proposal for a presentation at the Making Historical Dress Network workshop in Leicester, UK, in March, and that was the prompt for a wonderful 7-week trip to the UK and Denmark in March and April 2024. I haven’t been to the UK since a trip with Mum in 2013. I spent time in London, Hebden Bridge in West Yorkshire (the inspiration for Hartdale in my books), Aarhus in Denmark where my niece lives, and a wonderful week in St Mary’s in the Isles of Scilly. After my Aarhus visit my niece flew to London with me and joined fellow historical romance writer Anna Campbell and I for the St Mary’s week. It was envisioned as a writing retreat and Anna and Ell did do lots of writing. For me I think it was a much-needed wind-down and rest time, although I did manage some words.

View through a wood-framed window over a bay with fishing and other small boats moored. In the background the large Scillonian ferry is moored at teh end of the stone quay.
The view from our cottage on St Mary’s

We rented a wonderful cottage, right on the promenade in Hughtown, St Mary’s, which is the largest island in the Scillies. Above is the view from our front window – and watching the sunset became an evening ritual!

Red sky of sunset over the Hughtown bay, with dark shapes of boats visible on the calm, grey sea.

One of the many highlights of the trip was afternoon tea with my niece, Ell, at the Dorchester Hotel in London. My mother had afternoon tea there back in 1953; in 2013 we went together, with friends. And so it was the first choice for Ell and I to have a special outing in 2024. The Dorchester is, I think, the best place for afternoon tea. The Dorchester has beautiful elegant floral arrangements, is spacious and quiet, with the tables spaced apart so that you are almost in your own world. The service is impeccable and the food delicious. We had a delightful 3 hours, just talking with each other and eating very tasty treats.

A young woman wearing a yellow and white dress with block-printed sunflowers seated at a table with an older woman wearing a maroon floral dress and a pearl nacklace.

I came home in early May, with a rush to get ready for A Regency Affair in the Southern Highlands of NSW. Once again I was teaching workshops, and it was a wonderful weekend catching up with friends and dressing in Regency outfits.

I was barely home from that event when an email arrived with life-changing news. In March that year I’d submitted an application for a PhD industry scholarship at the Australian Catholic University in Ballarat, in collaboration with Sovereign Hill, Australia’s leading living museum, representing the Gold Rush era of Ballarat in the 1850s. I didn’t hold out much hope, but the email I received in late May informed me I was the successful applicant. This PhD opportunity brings together all my interests – researching dressmakers on the goldfields and exploring ways to represent them in the living museum. It’s history, dress history, dress re-creation, and museum practice all combined – with plenty of interesting stories to (eventually!) inspire novels.

The last half of 2024 was a blur of sorting, packing, putting my things in storage, moving 1400km, staying with my sister in Canberra and my cousins in Ballarat from September to February while our house was readied for sale and on the market. G and I had already planned to put our place on the market, and had decided – very amicably – that we’d go our separate ways when it was sold, remaining close friends but following our own paths.

Through the first months of that madness, I was also finishing my Master of History degree, which included re-creating an 1884 wedding dress in the Armidale Folk Museum. I submitted my research report in early October, and my last assignment for the degree a couple of weeks later.

Now it’s the end of May, 2025. I officially started the PhD at the end of January, and couldn’t have asked for a more supportive and inspiring group of supervisors and fellow students at ACU and Sovereign Hill. I’m currently renting a lovely (but cold) 1898 house in Ballarat Central while I look for a house to buy. Our place up north sold in March, and I brought the dogs down here to live with me. Sadly our elderly Skye had to be assisted across the Rainbow Bridge a few weeks ago, leaving our Pippin somewhat bereft, and struggling with all the big changes in her life, but that has been eased somewhat with G coming to stay with us for a few weeks. In an unexpected turn of events, after considering other places, he has decided to move to Ballarat, too, and is in the process of buying a townhouse. We’ll still be leading separate lives, but it will be good to have him close by, and Pippin will enjoy visiting him (and being puppy-sat while I’m at uni.)

What does this all mean for my writing? Unfortunately there hasn’t been a great deal of time for writing, but I am still, when I can, working on the next book in the Hartdale Brides series – a book I’ve been working on since The Clothier’s Daughter was published, almost 6 years ago. It’s been way too long between books, I know. The current one has proved a challenge to write, and finding space and creative time to solve the challenges has been difficult. However, I love the characters, am gradually making progress and hope that it will be finished and published late this year.

Although I’ve been distracted by other life priorities in study and dress history, there’s still a novelist inside me, wanting to create stories. So there will be more books. All fingers crossed I can find a house to buy soon, make the move and set up my new home with a writing space as well as a studio, and fully settle into my new life!

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Catching up

How can it be so long since I updated this blog? Oops. Life has been pretty full this year.

In February, I went to the wedding of my beloved nephew and the love of his life. It was a beautiful wedding of two beautiful souls.

In May, I attended A Regency Affair, a wonderful weekend of Regency dancing, workshops, costumes and fun. I taught a number of workshops including cutting a feather quill and writing with it.

Then it was off to east Kurrajong and in the Windsor/Richmond area, for my delayed research and writing retreat. My current manuscript is set in Sydney and surrounds in 1817, and with huge thanks to a grant from ArtsNorthWest, I was able to stay in for 6 nights, researching the history and locations in the region as they might have been in 1817. While I didn’t get a lot of words written, I did have some ‘aha!’ moments that will help me as I finish the book.

P. Slager, A View of Windsor, 1815

At the end of May I finished my last contract working for a local museum, which was bitter-sweet but after 4 years of juggling multiple part-time jobs I decided it was time to concentrate on my own creative work.

June and July were mad sewing for the Romance Writers of Australia conference in Sydney, where I was co-presenter for a workshop on Undressing the Historical Heroine, along with Beverley Eikli, Cathleen Ross, Elizabeth Rolls and Alison Stuart. I outfitted Cathleen, Elizabeth, Alison and myself in dresses from 1815 – 1901, and Beverley wore 3 different outfits she’d made from 1789 to 1850. I’d also brought replicas of historical underthings for the audience to pass around and examine. We wore all the correct layers and undressed on stage down to underthings. It was good fun and the audience feedback was very positive. But there was a lot of sewing to get ready – I finished my crinoline with *minutes* to spare!

It was wonderful to catch up with my writing friends for the first time since 2018, and a good reminder of who I am, and aspire to be, as a writer.

In September I was back in Sydney for the Georgette Heyer conference, where I spoke on Heyer’s contributions to romance fiction. I also had a lovely few days with my friends Pamela Freeman and Stephen Hart.

And now it’s October, and I’m heading down south again in a couple of weeks to visit my sister and her family, and cousins in Victoria. And through it all, I’ll be writing. I know it’s been a long time between books; there’s a lot of reasons for that – the combination of other life demands, a challenging book, and some burn-out. But I’ve solved some of those problems and am very hopeful that my next book will be out in early 2024 – more news as it comes to hand!

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Good news

I know it’s been a long time between books. I haven’t stopped writing, but it’s been a struggle, and it will be a little while before the next book is finished.

However, there is some good news! I’ve been fortunate to be awarded a micro grant from the wonderful Arts NorthWest for a week long writing/research retreat which I hope will take place in November. I’m so looking forward to this – it will be great to spend some time in the area where part of the book is set to absorb the feel of the place, and have undistracted time to immerse myself in the story and write words!

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The VIVIAN™ contest: A personal statement

Yesterday I wrote to the President of the Romance Writers of America to express my dismay at the awarding of a VIVIAN™ award to an intensely problematic book in the Religious/Spiritual Elements category, and at the RWA’s response to it.


Earlier yesterday, the president, LaQuette, released a statement, which, although expressing remorse for any hurt caused and advising that processes would be reviewed, was significantly inadequate and even insulting both to readers and authors who write romances in which faith is an integral part by stating that only a very specific sub-set of Christian belief is relevant to that category, which is in fact contrary to the judging guidelines for that category.


I am a secular humanist and a historian as well as a novelist. I am willing to accept that it might be possible (in theory a least) for a person who has been an active participant in genocide to earn, through a lifetime of service, some kind of forgiveness or redemption – although that would take an exceptionally skilled, knowledgeable and sensitive author to write, and is unlikely to be possible within a romance framework, despite the genre’s love of redeeming bad boys.


However, in my view, in this particular book that idea of redemption is extreme, is presented within a clearly racist perspective, and without any comprehension of or sensitivity to the perspectives of indigenous people. In its opening pages the book relates an event in history that has created ongoing trauma for generations, and it does so without regard for historical accuracy or complexity, in order to center a white man’s story and his religion at the expense of indigenous people.


As authors, we have a responsibility to respect our readers and our communities. As authors of historical fiction, we must recognise that history is complex and layered with multiple perspectives, and that the dominant white perspectives of colonialism have been intensely problematic and must be interrogated.


I believe that particular book did neither, and it should not have finaled, let alone won a VIVIAN™ award. That it did so brings the RWA and the genre into disrepute. That the award has now been rescinded does not undo that damage.


I had high hopes for the VIVIAN™ award and the strategies for cultural change that the RWA Board have put in place over the past two years. I was pleased when my judging packets contained more diverse books than in the past, as evidence that authors of color and from diverse backgrounds were entering the contest. I did my best to judge all the books objectively and fairly, on their merits with regard to writing, characterisation, story-telling etc. My packet included several excellent books with diverse characters.


I had concerns when all four finalists in the long historical romance category (including my book) were white women writing heterosexual characters. The other finalists are skilled writers and authors I respect, but where were the great books by authors of colour? Where were the great books with diverse characters, settings, perspectives?


Now, given the awarding of the VIVIAN™ in the religious elements category to such a problematic book, I no longer have any faith that the judging process was fair and equitable across the historical categories either, and I fear that books from diverse authors or featuring diverse characters were not assessed without prejudice.


I acknowledge the hard work and commitment that the RWA Board members have put into rebuilding the organisation, and I recognise that the systemic issues that plague the RWA are a microcosm of the issues plaguing the USA – and I acknowledge that my own country, Australia, suffers similar issues. There are no easy answers, but I strongly feel that the VIVIAN™ award for that particular book was a major error on the part of the organisation, and points to the likelihood of continued systemic bias and racism across other categories as well.


I am saddened to say that I now regret entering the VIVIAN™ awards and I cannot feel that it is an honour to be a finalist this year. I will not be entering again in the future, unless or until characters of colour and diversity and their authors are recognised and celebrated fully and equally.


Although there is little to be done now about my entry, I have asked the President to ensure that my book and name are removed from the list of finalists on the RWA website. I will be deleting social media posts about being a finalist and will not reference it again with regard to my book.


I sincerely hope that these issues can be resolved and that the VIVIAN™ award can evolve to truly honour the influence of Vivian Stephens on the genre, and to represent and celebrate the diversity of romance fiction, and of its authors and readers.

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Buying my books

I’ve (finally!) set up a bookstore for my print books: https://bronwyn-parry-bookstore.square.site/

Postage is to Australian addresses only. You can use the coupon code XMAS10 for 10% off until this Friday, 18th December. Please note that as I’m in rural NSW, add an extra couple of days for postage times – so if you’d like to order a book to arrive in time for Christmas, please order by Wednesday 16th for the best chance. I’ll also be away from 21st December until around the 6th January.

Apologies to my international readers – unfortunately overseas postage is way too expensive to offer. However, you can purchase my books through Book Depository, Amazon, and other online booksellers. And the good news is there will be US editions of the Dungirri and Goodabri books available early next year.

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